Film-making, for me, is an opportunity to create a space — something like an enchanted forest — where the viewer and I can recognise, receive, and create something together.
A film can travel where a live experience cannot. It can be returned to. It can act as a doorway — something that whets the appetite, stirs the imagination, and invites you to come closer.
What draws me to film
I tend to feel the call to make a film when something in my practice has settled into its own orbit — when it has gathered enough life, texture, and atmosphere to be encountered in its own right.
Film allows for a more sensory and immersive experience than words alone. It engages the visual imagination. It lets us notice what might otherwise pass us by. And often, what matters most… is precisely that.
Documentary work
The films you’ll find here are short documentaries (5–15 minutes), currently in development.
They are not so much about a method or a concept. They are invitations to witness. To see what happens when people encounter something new — and begin, subtly, to change in relation to it.
NeuroGraphica: A Short Documentary in the Making
What happens when a line begins to think with you?
An exploration of NeuroGraphica through the eyes and hands of people encountering it for the first time.
Rather than explaining the method, this film follows the unfolding process — as inner tangles begin to find their way into coherence on the page.
Butterfly Lead: A Short Documentary in the Making
A short documentary on leadership, connection, and the dance between us
An exploration of leadership and connection through an embodied practice rooted in movement.
The film captures participants discovering what becomes possible when leading and following shift from effort… into relationship.
Emerging directions
Alongside documentary work, another thread is beginning to take shape.
I’ve written a series of short screenplays — Reheartening Tales — small, self-contained stories (around 10 minutes each), which I would love to bring to life on screen.
This is a more narrative, story-led direction of my film-making — one that is still in its early stages, quietly gathering momentum.